Blue Shop Gallery presents
Sammi Lynch
‘The Last Time We Swam’
4th - 21st May
PV Drinks Wednesday 3rd May 6-9pm
72 Brixton Road, Oval SW9 6BH
Gallery opening hours:
Wednesday - Sunday | 11am - 6pm
SAMMI LYNCH
Sammi Lynch was born in 1995 in the North West of England. She is a recent graduate of the Royal Drawing School whose work explores notions of place and memory and uses the natural world as a cypher for human nature and emotion. Her practice begins withdrawing from life with pastels, these drawings then serve as material for working in the studio and are developed and translated through a range of techniques including painting and printmaking. Her work expresses lived experiences of the environment through canvases that emphasise space, texture and light. The effect of these paintings is to distil momentary impressions, observed or remembered, to immerse us in the sensations of a landscape. Lynch has been awarded artist residencies in Scotland and Italy and has exhibited in group shows, including exhibitions at Christie’s, Buckingham Palace, and Woolwich Contemporary Print Fair with Blue Shop Gallery.
THE LAST TIME WE SWAM
A collection of paintings, prints, and drawings, ‘The Last Time we Swam’ is an exploration of space, texture, and light, of symbolism, and of surface and depth. For Lynch the artistic process begins in the field, where scenes and events are registered in drawings. In the studio these fleeting impressions are translated into paintings and prints, allowing Lynch to work productively with the tension between the immediacy of perception and the drawn out act of contemplating, evoking, and reminiscing on a landscape or situation. In combining her drawings with a dedicated formal process, colours become more vivid, space becomes flattened, and forms are simplified. The paintings and prints which emerge are at times a conversation, a negotiation, or a tension between the surface of the canvas and a sense of pictorial depth. Working onto coloured grounds allows Lynch to draw attention to the flatness of the canvas, an effect that is reinforced in specific pieces such as ‘Unrest and Keeping A float’ by the recurrence of rectangular forms. Other pieces maintain a sense of the organic in which formal process and memory work together to produce landscapes which we find ourselves pondering as somehow familiar. In that sense, the works exaggerate different points on a continuum between perception and memory, form and colour, and surface and depth. As Lynch’s drawings are worked over and refined, they also often find a symbolic dimension.The snake in ‘Out of the Ground’ for instance is a paradoxical and ambiguous symbol: serpents may point to rebirth and the infinite and we are left wondering if the death of this particular snake affirms or disavows this sense of wisdom. The presence of the moon in other works, a symbol of cyclical change and renewal, may further strengthen this contradiction, or perhaps signal a sense of affirmation and resolution. In some ways the work in this collection is also a sustained meditation on loss, grief, and transition. The works collected in this exhibition were created during a period of turbulence in which the artist was navigating unknown personal territory. At the same time Lynch found herself immersed in new environments and landscapes. The works speak to this sense of negotiating with and traversing the unknown. What emerges is less a cathartic expression of personal emotion and more an exploration of the natural world as a cypher for emotions and experiences that are shared by us all.
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‘Losing Light’, Sammi Lynch, Oil on canvas, 100 x 75 cm
‘Artichokes at Dusk’, Sammi Lynch, Oil on canvas, 125 x 85 cm